Clement Meadmore is perhaps the most famous sculptor to originate from Australia, his twisting metal forms can be found in galleries and parks around the world. Starting out as an industrial designer in Melbourne during the early 1950s, Meadmore produced a small range of furniture and lighting that was clearly inspired by his passion for jazz and abstract art.
After a trip to Europe in 1953, Meadmore’s interest in sculpture grew and by the mid 1950s Meadmore was exhibiting metal forms that arguably drew inspiration from international artists such as Alberto Giacometti and Piet Mondrian. In 1959, Clem, with the assistance of friend Max Hutchinson, set up Gallery A in Flinders lane, Melbourne. The gallery, a little Bauhaus in Melbourne, not only provided a space for progressive artists and designers, it also created a community for people looking to breakaway from the oppressive and conservative nature of the 1950s Australian art scene.
After 3 years living in Sydney, in 1963 Meadmore packed his bags and left Australia for the hussle and bustle of New York, a big city with a thriving art scene. In the beginning Meadmore faced many challenges, but by the end of the 1960’s he had found his niche, creating new works that arguably married his background in engineering and his interest in abstract forms.
Curl (1968), as noted by Robert Ferrari, was Meadmore’s first commission for a large scale public monument. The short video below is a fascinating account of the story behind this important work.